Without us here, though, can you imagine how much worse it would be?
It’s 2024. After years circling the globe delivering aid, Jo has built a career supporting those most in need – a good person doing good things.
But 75 years after her grandfather got the idea of “international development” into President Truman’s inaugural speech, global inequality is worse than ever. Eight billionaires now hold the same wealth as the poorest half of humanity.
And when Jo meets an activist who is fighting with her life for her nation’s future, she can’t shake the feeling that the system she passionately believes in might be part of the problem.
Spanning continents and decades, A Fine Idea travels from post-war idealism to today’s overlapping crises, unpicking the history of aid, power and good intentions.
And confronting the question at the heart of it all:
Do we really want to change things – or do we just like the idea of helping?
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Running time
90 mins (no interval) -
Age guidance
14+ -
Content warnings
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Discounts
Concessions available
Pay What You Can Tuesdays
Praise for previous productions from ice&fire
"Gripping theatre that is at once succinct, shocking and wryly funny… Throughout, the acting is riveting, unflashy and full of conviction, while the stories the play tells are truly humbling"– The Times, on ice&fire's On the Record
"A vital play for grubby times"– Evening Standard Critics' Choice, for ice&fire's On the Record
Rehearsal photography
The Company
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Ella Bryant
Jo
Ella Bryant
Jo
A Fine Idea marks Ella’s professional stage debut.
She trained at Mountview and is a 2025 graduate of the BA (Hons) Acting program.
Credits while training include: Stella Kowalski in A Streetcar Named Desire (Final Year Performance).
Short Film: SCUM (released late 2026).
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Georgina Rich
Laura / Christine
Georgina Rich
Laura / Christine
Georgina trained at RADA.
Theatre credits include: Backstroke (Donmar Warehouse); Richard III (Arcola Theatre); Rabbit Hole (Hampstead Theatre); Between Us (Arcola Theatre); As You Like It (The Rose Theatre); The Merchant of Venice (RSC); Dirty Dancing (Aldwych Theatre); Honour (Wyndham’s Theatre); Much Ado About Nothing (Crucible Theatre Sheffield); Lear – Edward Bond (Crucible Theatre Sheffield) and Twelfth Night (English Touring Theatre).
TV credits include: Industry; Heartstopper ; War of the Worlds ; Malpractice; The Jetty ; Criminal Record; Grace ; Sister Boniface ; Midsomer Murders Call The Midwife ; Queens of Mystery; Black Mirror: Hated In The Nation; Ripper Street; Rellik; Wallis: The Queen That Never Was ; Cuffs; River; Sherlock and Spooks.
Film credits include: September 5th ; Soundproof ; Blithe Spirit ; Radioactive and Dimensions.
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Grace Saif
Kala
Grace Saif
Kala
Grace trained at RADA.
Theatre includes: Ballet Shoes (National Theatre); Sea Creatures (Hampstead Theatre); Athena (Yard Theatre); Antony & Cleopatra (Gate Theatre); The Prime of Miss Jean Brodie (Donmar Theatre); Mary Stuart (Almeida); When You Cure Me, A Bitter Herb, Blues for an Alabama Sky, Macbeth, Hamlet, The Man of Mode, The Theban Plays, Girls and Dolls (RADA).
TV includes: 13 Reasons Why, The Blame.
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Kevin Trainor
Ben / Elio
Kevin Trainor
Ben / Elio
Theatre includes: An Octoroon (National Theatre); Playboy of the Western World; Six Degrees of Separation (Old Vic); Comedy of Errors; Postcards from America; Solstice; Twelfth Night (RSC & West End); Bent (West End); Tartuffe; Drama at Inish (Abbey Theatre; Dublin). Saint Joan (Lyric; Belfast); Titanic (The Mac; Belfast); title role in Doctor Faustus (West Yorkshire Playhouse/GlasgowCitz); Canary (Liverpool/Hampstead/ETT); Yes So I Said Yes (Finborough); The Lovers of Viorne (Frontier Theatre); Lost Monsters (Liverpool Everyman); Love’s Labour’s Lost (Rose Theatre Kingston); 2000 Feet Away (Bush); Gladiator Games (Theatre Royal Stratford East); By Jeeves (Landor); Fishbowl (Theatre503).
TV includes: Clean Sweep; Endeavour; Utopia; Wodehouse in Exile; Vera; London Irish; The Café; Sherlock; John Adams; The Catherine Tate Show; Tripping Over; Building the Titanic and Commander.
Film includes: Hellboy and Make It New John.
Radio includes: Tommies; Ulysses; The Royal Game; The Hares in the Old Plantation and Rasselas.
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Christine Bacon
Writer
Christine Bacon
Writer
Christine was a core member of Actors for Refugees Australia, until she moved to the UK in 2004 to complete an MSc in Forced Migration at Oxford University. She founded ice&fire‘s outreach network Actors for Human Rights and has developed multiple performance and participation projects for the company. Christine is a trustee of Student Action For Refugees and works part-time as an immigration adviser. Plays for ice&fire include On the Record (with Noah Birksted-Breen), Rendition Monologues, The Illegals, Broke, Seven Years with Hard Labour, Souvenirs, The Island Nation, Lost and Found, My Skype Family, #ArmingtheWorld (with Ben Chessell), What Do I Know (with Amina Atiq) and The People Woke Up.
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Charlotte Westenra
Director
Charlotte Westenra
Director
Charlotte Westenra’s directing credits include: Agreement (Lyric Theatre Belfast, Irish Arts Centre, New York and Gate Theatre Dublin); The Wicker Husband (Watermill Theatre); Indecent Proposal (Southwark Playhouse); On Hostile Ground (presented online as part of Royal & Derngate’s “Made in Northampton” new musical theatre festival); A room of one’s own (London Library); The Sorcerer’s Apprentice (Southwark Playhouse/ Stream.Theatre); I Love You, You’re Perfect, Now Change (The Chiswick Playhouse); The Return of the Soldier (Hope Mill Theatre, New Wolsey); Talking Heads (Gala Theatre, Durham); Shangri-La (
Finborough Theatre); Venice Preserv’d (Spectators’ Guild); Brazil and Casablanca (Secret Cinema); The Incredible Doctor Guttman (Karen Simpson Productions); Sunset Baby (Gate Theatre); Titanic; Scenes from the British Wreck Commissioner’s Enquiry (Mac, Belfast); 66 Books (Bush Theatre); My Dad’s A Birdman (Crucible Theatre, Sheffield); Celebrity 24 Hour Plays 2011 (Old Vic); Gladiator Games (Sheffield Studio and Theatre Royal Stratford East); When Five Years Pass (The Arcola); How Long is Never, Bloody Sunday and Justifying War with Nicolas Kent (Tricycle) and Waiting for Lefty (Battersea Arts Centre). She co-wrote the synopsis for Christopher Wheeldon’s new ballet Strapless for the Royal Opera House.
Charlotte won the BWW Irish Award for Best Director for Agreement. The play also won Best Play and Best New Play. It was nominated for the International Award at the Stage Awards and Best Play at the UK Theatre Awards.
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Matthew Schmolle for Matthew Schmolle Productions
General Manager
Matthew Schmolle for Matthew Schmolle Productions
General Manager
Matthew Schmolle Productions Executive Produces, Produces and General Manages theatre and live performance. Recent work include Cutting The Tightrope (Edinburgh International Festival, Arcola), TRANS IT and LAD (Fifth Word in association with Curve, Derby and Supported by Fuel), The Table (National Tour), God Of Salford (Not Too Tame at the Lowry).
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Georgia Wilmot
Set Designer
Georgia Wilmot
Set Designer
As a set & costume designer credits include:
Private View (Soho); Carrie (CSSD); Elephant (Menier Chocolate Factory); Conversations After Sex (Park Theatre); Cross The Line, Tour (Lyric Theatre Hammersmith); Takeaway (Everyman Theatre, Liverpool); Communion (Bush Theatre), The End (Bush Theatre), Before I Go (Brixton House), This Is A Love Story, 2024 (Birmingham Hippodrome), Proof, Three Sisters, Chaos, Animal Farm (St Marys University Summer Festival) Red Pitch, 2023 (Bush Theatre), The Wrong Reindeer, 2023 (Oldham Theatre Workshop), The Time Has Come, 2023,(The Playground Theatre) Invisible, 2023 (59E59 Theatre), Elephant, Clutch, Invisible and The Kola Nut Does Not Speak English (Bush Theatre), BACK UP!, The Route (Bush Theatre), Project 2036 (Bush Theatre), Covered (New Heritage Theatre at Paddington Arts Centre), I Knew You (Birmingham Repertory Theatre), Days Of Significance (Questors Theatre).
Writing & Illustration credits include:
The Adventures Of, Book 1, series of children’s books, (Illustrator) My Trauma, My Healing (Illustrator), Life, Lemons and Melons (Illustrator), The Tiger in the Trilby, (Author and Illustrator), Monroe (ITV, costume trainee), Superdrug’s YouTube Christmas campaign 2017.
Television, Advertising and Social Media credits include:
Monroe (ITV, costume trainee) and Superdrug’s YouTube Christmas campaign 2017.
Georgia trained in Interior Design at Liverpool John Moores University before moving in to Theatre Production and Costume Design. In 2024 Georgia was thrilled to be nominated for a Black British Theatre Award in the Theatre Design (body of work) category.
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Emma Williams
Costume Designer
Emma Williams
Costume Designer
Emma trained at Wimbledon School of Art.
Her previous designs at the Arcola include the premiere of a new opera as part of the Grimeborn Festival, Here’s What She Said To Me (Arcola Outside), (both for Utopia Theatre) and Nine Lives (Arcola, Leeds Playhouse and Tour)
Other costume and stage design credits include Grief Is The Thing With Feathers (Beyond Words Dance); Womb Party (The Place); Get Wed (Harrogate Theatre); The Engagement Party (Oldham Coliseum); Abigail’s Party (Hull Truck); Unhomely (The Dukes Lancaster); Strawberries in January (Traverse Theatre) ; Iyalode of Eti (Sheffield Crucible) and many productions for Leeds Playhouse notably Nine Night, Two Tracks and Text Me and Refugee Boy.
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Hartley T A Kemp
Lighting Designer
Hartley T A Kemp
Lighting Designer
Hartley is an international lighting designer and theatre consultant, and is also Artistic Director of C ARTS at the Edinburgh Fringe.
Work with Charlotte Westenra includes The Wicker Husband (Watermill), Indecent Proposal (Southwark), Shangri-La (Finborough), Sunset Baby (Gate), Lower Ninth (Trafalgar), Gladiator Games (Sheffield), Kiss of the Spider Woman (Donmar).
Hartley’s UK work includes designs for the National Theatre, RSC, in the West End, for London producing theatres including the Almeida, BAC, Bush, Coronet, Donmar Warehouse, Finborough, Gate, Hampstead, King’s Head, Lyric Hammersmith, Menier Chocolate Factory, New End, Old Vic, Royal Court, Southwark Playhouse, Theatre503, Stratford East, Tricycle. Regional includes Theatre Royal Bath Productions, Birmingham Rep, Bristol Old Vic, Clwyd Theatre Cymru, Exeter Northcott, Manchester Royal Exchange, Paines Plough, Sheffield Theatres, Wales Millennium Centre, West Yorkshire Playhouse. Opera includes ROH Linbury, Holland Park, Castleward, QEH.
In Europe Hartley has lit in Austria, Germany, Ireland, Spain and Sweden. North America includes Broadway, Off-Broadway and regional. Australia includes Sydney Theatre Company, Bell Shakespeare, Belvoir, Griffin, Darlinghurst Theatre Company, Old Fitz, Sydney Con; Melbourne Theatre Company, Malthouse, Red Stitch; Cross-Pollinate Productions, Little Dove Theatre Art, Pantsguys Productions, Ride-On Theatre, Siren Theatre Company. Hartley’s work has toured to Hong Kong, Korea, Iceland, Russia, South Africa and Singapore.
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Tom Smith
Sound Designer
Tom Smith
Sound Designer
Tom is a Sound Designer based in York. He trained at the London Academy of Music and Dramatic Art, and after graduating worked backstage at York Theatre Royal for three years. He has since worked across the UK on a mix of drama, Shakespeare, new writing, musicals, pantomime and actor-musician productions.
Credits as Sound Designer include: Krapp’s Last Tape for Royal Court Theatre and York Theatre Royal; Sleeping Beauty, Aladdin, Jack and the Beanstalk, Robin Hood: The Arrow of Destiny and The Hound of the Baskervilles for York Theatre Royal; Biting Point, Baby, He Loves You and Red Riding Hood for Middle Child; One Man, Two Guvnors, Frankenstein, Jekyll & Hyde, Emilia, That Bloody Woman, The Lightning Thief, Urinetown, Vernon God Little and Darknet for Leeds Conservatoire; The Whispering Jungle for Concrete Youth; and A Midsummer Night’s Dream for Hull Truck Theatre.
Credits as Associate Sound Designer include 71 Coltman Street for Hull Truck Theatre.
Credits as Sound No.1 include: My Fair Lady for Leeds Playhouse; Modest for Middle Child; Military Wives and Mayflies for York Theatre Royal; The Book Thief for Octagon Theatre Bolton; Murder on the Orient Express, The Taxidermist’s Daughter, Macbeth, Plenty and Shadowlands for Chichester Festival Theatre; Crongton Knights and Brighton Rock for Pilot Theatre; and Cinderella for New Wolsey Theatre.
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Gurkiran Kaur
Vocal & Accent Coach
Gurkiran Kaur
Vocal & Accent Coach
Gurkiran Kaur trained has a Master of Arts degree in Voice Studies from The Royal Central School of Speech and Drama.
Theatre Credits Include: Noughts & Crosses (Pilot Theatre); Second Trimester (Battersea Arts Centre); Trans It (Leicester Curve); Sweetmeats, blackbird hour…, Wolves On Road, The Real Ones, The Cord, A Playlist For The Revolution, Paradise Now, The P Word, Favour, Red Pitch (Bush Theatre); Draw The Circle (Hedgerow Theatre Philadelphia USA); Before The Millennium (Old Fire Station); Elmet (The Javaad Alipoor Company); I’LL BURN THE OCEAN/FOR YOU (Talawa Theatre); Come Fall In Love (Playful Productions); Marriage Material (Lyric Hammersmith & Birmingham Rep); Millennium Girls (Brixton House); The DaVinci Code (Wiltshire Creative); Sophia (Eastern Angles Theatre); Bangers (SH Productions); Ghoststories (High Tide Theatre); King Troll (Kali Theatre & New Diorama); A Tupperware of Ashes (National Theatre); Peanut Butter & Blueberries (Kiln Theatre); Dylan Mulvaney: FAGHAG (Soho Theatre); Refugee! (62 Gladstone Street); The Secret Garden. (Regents Park Open Air Theatre), Expendable, Dugsi Dayz (Royal Court), Re Pitch (Soho Place), Sweat, Great Expectations (Royal Exchange Manchester), The Buddha of Suburbia. Falkland Sounds, The Empress (The Royal Shakespeare Company),Frankie Goes To Bollywood (Watford Palace), This Much I Know, Lotus Beauty (Hampstead Theatre), The Enormous Crocodile: The Musical (Leeds Playhouse), A Poem For Rabia (Tarragon Theatre Toronto, Brassic FM (Gate Theatre), I Wanna Be Yours (Melbourne Theatre Company), Wuthering Heights, Unexpected Twist (Royal & Derngate), Anansi The Spider, Marvin’s Binoculars (Unicorn Theatre), I Wonder If…, Chasing Hares, Best of Enemies (Young Vic), A Dead Body In Taos (Fuel Theatre), Silence (Donmar Warehouse), The Best Exotic Marigold Hotel (Simon Friend Entertainment), Finding Home (Curve Leicester), The Climbers (Theatre by The Lake), Offside (Futures Theatre), Henry VIII (Shakespeare’s Globe), Queens of Sheba (Soho Theatre), How To Save The Planet When You’re A Young Career & Broke (Roundhouse), NW Trilogy (Kiln Theatre), Extinct (Theatre Royal Stratford East).
TV Credits Include: Good Karma Hospital (ITV & Tiger Aspect Productions); Hotel Portofino (ITV, PBS & Eagle Eye) and Strange Evidence (Matt’s Gallery).
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Jonny Berliner
Composer
Jonny Berliner
Composer
Jonny Berliner’s theatre credits include: Still We Weave (MAC; Belfast); Thursdays With Elvis (Royal Opera House; Belfast); Party Beach (CSU Riverina Playhouse; Wagga Wagga); Dude! Where’s My Teddy Bear? (Tricycle); Ice Cream Man and the Jelly Incident (Tricycle); Cash in Christ (Assembly@Hill Street); The Scribe Who Wouldn’t Scribble (Southbank Centre).
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Kev McCurdy
Fight and Movement Director
Kev McCurdy
Fight and Movement Director
Kev trained at The Royal Welsh College Of Music and Drama and is also Co-Founder of The Academy of Performance Combat.
Theatre & Opera includes:
Les Misérables (Sondheim Theatre); Phantom of The Opera (His Majesty’s Theatre); The Play That Goes Wrong (Duchess Theatre); Brigadoon (Regent’s Park); Othello (National Theatre); All My Sons (Wyndham’s Theatre); Edward II (RSC); Stranger Things: The First Shadow (Phoenix Theatre); The Hunger Games On Stage (Troubadour Canary Wharf); Oedipus (Wyndham’s Theatre & Broadway); Carmen (Waterperry Opera); Don Giovanni, Blaze Of Glory (WNO); Saul; Falstaff (Glyndebourne); Small Island (Leeds Playhouse, Birmingham Rep & Nottingham Playhouse); Romeo and Juliet (Harold Pinter Theatre); A Midsummer Night’s Dream at Birmingham Rep; The Karate Kid The Musical (UK tour).
TV & Film includes: John Carter Of Mars; Protein, The Mill Killers; Until I Kill You; Bariau S1, 2 & 3; Believe Me; The Undisclosed War.
Directing includes: The Saliva Milkshake; The Glass Menagerie; Making Of A Motherer; Jekyll And Hyde The Musical; The Welsh Dragon; The Fight (world premiere).
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Lewis Champney
Production Manager for eStage
Lewis Champney
Production Manager for eStage
Trained at RCSSD.
Theatre includes: The Disappearing Man, Robin Hood (Queens Theatre Hornchurch); Sherlock Holmes & Napoleon of Crime, The Three Musketeers (Oxford Playhouse); Twenty Thousand Street Under the Sky, Captain Amazing (Southwark Playhouse); Whodunnit [Unrehearsed] 4, The Rat Trap, The Forsyte Saga, Farewell Mister Haffmann, 23.5 Hours, Sorry We Didn’t Die At Sea (Park Theatre); The Gods of Salford (The Lowry); Cutting The Tightrope (Edinburgh International Festival); Cutting the Tightrope, As Long As We Are Breathing, Gigi & Dar (Arcola Theatre); Puppy (Kings Head Theatre); A Christmas Fair (Oldham Coliseum) Sweeney Todd, A Very Expensive Poison, Next to Normal (Mountview); This Restless House (Part 1,2 & 3), Lysistrata (RCSSD).
Opera Includes: The Little Zombie Girl (The Shaw Theatre); Eugene Onegin (Jacksons Lane Theatre).
Assistant/Associate Production Manager: Tamerlano (Shoreditch Town Hall); When it Happens to You, The Marilyn Conspiracy, Whodunnit 3, Kims Convenience, A Single Man (Park Theatre); The Quest (Shaw Theatre); Rinaldo, Pandora’s Box (Royal Academy of Music); The Oddyssaid, The Hobbit (Oxford Playhouse); Some Demon (Arcola Theatre); Here (Southwark Playhouse); Dick Whittington, Killing Jack (Queen’s Theatre Hornchurch); Playlist for a Revolution, Sleepova, Paradise Now! (Bush Theatre).
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Laura Whittle
Stage Manager
Laura Whittle
Stage Manager
Laura Whittle is a freelance Stage Manager.
Previous credits include:
As Company Stage Manager: Fly More Than You Fall (Southwark Playhouse), Wish You Weren’t Here (Sheffield Playhouse/Soho Theatre/ Tour).
As Venue Manager: Pleasance Grand/ Beyond (Edinburgh Festival Fringe), VAULT Festival (The Vaults), Underbelly La Clique (Leicester Square), Underbelly Lafayette (Edinburgh Festival Fringe).
As Stage Manager: The Anchoress (South East Dance), The Shivers (Polka/New Diorama Theatre/Schools tours), Time Sliders (job share, Breach/NDT), Neverland/Halloween Light Trails (Kenwood House), The Table (Peterborough Key Theatre), Five Shorts (Young Vic), The Light Princess (The Albany Deptford, Arc Stockton, tour), Captain Amazing (Southwark Playhouse), Pride London (Leicester Square Stage), Tapped (Theatre 503/Tour), Bangers (Soho Theatre/Tour), Headcase (Queen’s Theatre Hornchurch/Trinity Theatre), Snow (Tour), Good Connections (Extraordinary Bodies), Various productions with Moth Physical Theatre, Various drama school productions.
As Deputy Stage Manager: Haringey Feast (Alexandra Palace).
As Assistant Stage Manager: Miss Myrtle’s Garden (Bush Theatre), Platinum Pageant (The Queen’s Platinum Jubilee), Gin For Breakfast (Tristan Bates Theatre).
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Genevieve Papadopoulos
Assistant Stage Manager
Genevieve Papadopoulos
Assistant Stage Manager
Genevieve Papadopoulos is a trained Clown and Mask Maker, studying at both Ecole Philippe Gaulier, Paris and Atelier of Matteo Destro in Tuscany. Now, Gen works predominantly as a Producer and Production Stage Manager.
Her recent credits include: Dr Adam Kay’s This is going to Hurt (Tour Manager, Ireland); Garry Starr: Classic Penguins (Assistant Producer/ Stage Manager, Australia), and producer of multiple award winning shows across Europe, many Fringe Festivals and notably Soho Theatre, London.
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Nadine Rennie CDG
Casting Director
Nadine Rennie CDG
Casting Director
Nadine is Co-Chair of the Casting Directors Guild & Creative Associate at Synergy Theatre Project. Prior to going Freelance, Nadine was in-house Casting Director at Soho Theatre for over fifteen years. 2025 projects have included Philip Ridley’s The Pitchfork Disney ; ELMET (Javaad Alipoor Company ); The Meat Kings! (Inc) of Brooklyn Heights (Papatango/Park Theatre); LIFERS (Synergy Theatre at Southwark) and Scenes From The Climate Era (Gate Theatre).
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John Bulleid
Illusion Designer
John Bulleid
Illusion Designer
John is an illusion designer, actor and magician with work behind multiple award-winning productions. He holds the title of Associate of the Inner Magic Circle with Silver Star, and trained as an actor at The Webber Douglas Academy of Dramatic Art.John is the UK Illusions Associate on Harry Potter & The Cursed Child (Palace Theatre).West End credits include – Inside No.9 Stage/Fright (Wyndham’s & Tour); A Tupperware of Ashes (National Theatre); Further Than The Furthest Thing (Young Vic);Robin Hood (Regent’s Park Open Air); Death of a Salesman (Piccadilly); Macbeth, Rough Magic, A Midsummer Night’s Dream, The Inn At Lydda (The Globe); The Worst Witch (Vaudeville Theatre – winner of Best Family Show, 2020 Olivier Awards); Oi Frog! (Lyric Theatre). Further illusion design credits include: Beauty & The Beast (Royal National Theatre Copenhagen); Rough Magic (The Globe); Dracula (Lyric Theatre, Hammersmith); A Midsummer Night’s Dream, The Magician’s Elephant (RSC); Ride (Curve Leicester/Southwark Playhouse); Piaf (The Gate, Dublin); Dirty Dancing (Secret Cinema); Into the Woods, Sherlock Holmes: The Final Curtain (Theatre Royal Bath); A Christmas Carol (Nottingham Playhouse & Alexandra Palace); The Worst Witch (Northampton/UK Tour); #WeAreArrested (RSC/Arcola Theatre);Our Lady of Kibeho (Northampton/Stratford East); The Lost Spells, (Watford Palace);Doctor Who: Time Fracture (Immersive London); The Canterville Ghost (Unicorn Theatre); Witches of Eastwick(Cirkus, Stockholm); When Darkness Falls (Park Theatre); The Invisible Man (Queen’s Theatre Hornchurch); The Star (Liverpool Everyman);The Gypsy Thread (National Theatre Studio). Associate Illusions credits include: Prince of Egypt (Dominion Theatre); The Ocean at the End of the Lane (National Theatre/UK Tour/Noël Coward Theatre); White Christmas (Curve, Leicester); A Very Very Dark Matter (Bridge Theatre). -
Muniira Ali
Assistant Director
Muniira Ali
Assistant Director
Muniira trained with Intermission Youth Theatre. Assistant Director theatre credits include: Followers (London schools tour); Two Gentlemen of Verona (Royal Shakespeare Garden); and Much Ado About Nothing (Collective Theatre). Film credits include: Moments of Nora (Director/Producer).
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Chris May
Assistant Lighting Designer
Chris May
Assistant Lighting Designer
Chris is a theatre lighting specialist with over 26 years experience from follow spotting to design. He delights in making the magic happen and being a part of the of the art that helps us to think and feel things we’ve never felt before.
As Lighting Designer: The Little Mermaid, (Kenneth More Theatre); Pure Imagination, (Kenneth More Theatre); Monogamy, (PQA2 Edinburgh fringe); Cockamamy, (Hope Theatre); Someone Who’ll Watch Over Me, (Cramphorn Theatre Chelmsford); Rat Pack Party (Windsor, Jersey); Oliver (Queens Theatre Hornchurch).
As Associate Lighting Designer: And Then Come The Nightjars (Bristol Old Vic / Theatre 503); Land of our Fathers (Wales Millennium Centre); Lazy Town Live & A Pirate Adventure (Fiery Angel / Limelight).
As Re-lighter and Chief Electrician: People, Places and Things (Headlong); Nigal Slater’s Toast (PW productions, UK Tour).
As Assistant Lighting Designer: As Good A Time As Any (Print Room), Land of our Fathers (Theatre 503), A Little Night Music, (Garrick 2009, Menier Chocolate Factory), A Fist Full Of Stars (Theatre 503).
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Eleni Foundoukis
Costume Supervisor
Eleni Foundoukis
Costume Supervisor
Helena (known as Eleni) is a creative and experienced Stylist.
She has worked as Costume Supervisor and Wardrobe Manager on a number of London based theatre projects including: How Does Santa Go Down the Chimney (Unicorn Theatre); Fatherland (Hampstead Theatre); Burlesque The Musical (Savoy Theatre); Crossroads Pantomimes and Cinderella (Churchill Theatre); Tilly of Bloomsbury and the Venetian Twins (South London Theatre); Spitting Image Live (Phoenix Theatre); Cages Musical (Anthology Theatre London); Tony the Rock Opera (Park Theatre); and Mr.Gum (National Theatre).
She has designed costumes for productions and commercials at The National Film And Television School and also spent time last summer as a costume designer at StageDoor Manor in New York.
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Anne Dillow at Möbius
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For any Press Enquiries please contact Nancy Poole.
This production is supported by
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Arts Council England
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Cockayne (Grants for the Arts)
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Network for Social Change
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Garrick Charitable Trust
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Unity Theatre Trust
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MSN Fund
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Sylvia Waddilove Foundation
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Mbili Trust
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Rhododendron Trust