In May 1940, three German Jewish women are arrested in France – Hannah Arendt, who would become one of the 20th century’s most influential political theorists, the artist Charlotte Salomon, and the Communist schoolgirl Eva Daube.
Branded “Undesirables” and transported to Camp Gurs, they find themselves among thousands of prisoners held by the state that once promised them refuge. As German forces advance, each woman must confront an impossible choice: stay and hope for liberation, or risk her life to escape into a dangerous and unknown future.
Blending satire, physical theatre and cabaret, The Banality of Evil draws on archival research and testimony to reveal forgotten histories of women caught between exile, imprisonment and survival. At its centre is a pivotal moment in the life of 33 year-old Hannah Arendt that would later inform her writing on power and human rights.
A world premiere from writer and director Julia Pascal (Blueprint Medea; Crossing Jerusalem).
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Running time
90 minutes -
Age guidance
16+ -
Content warnings
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Discounts
Concessions available
Pay What You Can Tuesdays
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Captioned performance
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Relaxed performance
Praise for Julia Pascal’s previous productions:
"Engaging and dynamic… admirable for its risk-taking and originality of vision"– The Guardian, on Blueprint Medea
"A powerful account of a complex issue"– The Arts Desk, on Crossing Jerusalem
"Seething and passionate"– London Evening Standard, on Crossing Jerusalem
The Company
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Ariella Barnett
Eva
Ariella Barnett
Eva
Ariella is a South African Global Talent Visa recipient with German heritage, based in London, and recently appeared in Habanera After Dark at the Courtyard Theatre.
Training: LAMTA, Trinity College London-ATCL, BBATA
Theatre includes Phoenix Arts Club West End Concert (Phoenix Theatre), Habanera After Dark (Courtyard Theatre), Feeling Pretty the Musical (Edinburgh Fringe Festival, National Arts Festival, Kalk Bay Theatre, SixtyNine Theatre)
Screen includes The Orchid Project, American Monster, Tali’s Baby Diaries, international campaigns for Just Eat, KIA, TCF Bank
Other includes: Founder of Buttermoon Productions, Exercise Scientist and Sports Physiologist (BSc Med Hons) specialising in wellbeing and performance optimisation for actors, singers, dancers and creatives.
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Pat Dynowska
Trude
Pat Dynowska
Trude
Pat’s theatre credits include Dziady/Forefathers’ Eve at The Almeida, New Voices for a New World at Oxford Playhouse, Forgiving (My Mother) at Voila Festival/Edinburgh & Three Billion Letters at Riverside Studios.
Screen includes Masters of the Air for Apple TV & Ridley for ITV.
A London based, RADA trained Polish actress & theatre maker, Pat develops original projects with her theatre collective TAKDAJA. Pat has worked as a motion capture artist for Harry Potter & the Battle at the Ministry and is also an experienced voice artist for TV, video games & commercials.
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Anna Eckhard
Charlotte
Anna Eckhard
Charlotte
Israeli-French actress and singer based in London, originally from Tel Aviv. A graduate of the Royal Academy of Music (MA Musical Theatre) and of Beit Zvi School of the Performing Arts, Israel.
At the Royal Academy of Music, she played the Witch in Into the Woods. Prior to her studies, she performed in leading theatres in Tel Aviv, including Habima Theatre, where she appeared in productions such as Mamma Mia! and The Abandoned Melody (“Od Chozer HaNigun”), and at Beit Lessin Theatre, where she played the Rabbi woman in The Wedding Plan (“La’avor et Ha’kir“).
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Anja Fahlenkamp
Musical Composition & Arrangement / Ensemble
Anja Fahlenkamp
Musical Composition & Arrangement / Ensemble
Anja is a singer, composer, actress and creative director who has performed on Berlin theatre stages including Vagantenbühne, Hebbel am Ufer, Sophiensaele and ufaFabrik. As a singer and composer, her repertoire includes Jewish music, jazz, chanson and musical theatre.
In 2011 she founded the award-winning initiative Faiths In Tune, in the context of which she has been directing interfaith and intercultural music festivals, concerts and workshops in Germany, the UK and Italy, including the London Interfaith Music Festival, the largest interfaith music event in Europe. She is also co-director of Knüpfwerk, an intercultural education project that brings together youth from Germany, Austria, Israel, Palestine and beyond for musical theatre summer camps across Europe.
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Helen Goldwyn
Narrator / Agathe
Helen Goldwyn
Narrator / Agathe
Training: Arts Educational.
Theatre includes: Cover Allegra in Allegra (West End & UK tour); Lee Krasner in Lee (Park Theatre); Fiddler on the Roof (Regent’s Park Theatre); Abigail’s Party (York Theatre Royal); Just So and Out of this World (Chichester Festival Theatre); My Fair Lady (UK tour, directed by Simon Callow); Uncle Vanya (directed by Kenneth Branagh); Macbeth (West End); Personals (Apollo, West End); Alfie (Oldham Coliseum); Summer in the City (nominated for the Standing Ovation Award, Upstairs at the Gatehouse); Hello Dolly; High Society; The Vagina Monologues; The Taming of the Shrew; Romeo and Juliet (directed by Judi Dench) and A Connecticut Yankee (Regent’s Park Theatre).
Television includes: The Famous Five (BBC); Waking the Dead (BBC); Doctors (BBC); Final Demand (BBC); and The Second Quest (ITV, directed by David Jason).
Helen has played lead roles in over two hundred audio dramas, including the series The Tomorrow People; Survivors; The Prisoner; and Doctor Who with Big Finish Productions, and was the winner of the One Voice Award for best radio performance. Helen is also a busy scriptwriter, director and composer.
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Mai Weisz
Hannah
Mai Weisz
Hannah
Mai Weisz is an actor, writer and singer of Middle Eastern and East European Jewish descent. She trained at Royal Central School of Speech and Drama, BA Acting (Collaborative and Devised Theatre) and holds an MA in Global Cinema from SOAS.
Her work includes:
Dance Again (Cockpit, Camden Fringe 2026), Kindness: Legacy of the Holocaust (UK tour, 2025), Yankl and the Beanstalk (Pleasance, 2025), A Trip to Heaven (JDAL, 2024), Il n’y a pas d’ombre dans le désert (Les Films du Poisson, 2023), Two Palestinians Go Dogging (Royal Court, 2022), This Is Going to Hurt (BBC/AMC Drama, 2022), The Journey (WIZO UK & Neopolitan Pictures, 2022).
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Julia Pascal
Writer & Director
Julia Pascal
Writer & Director
Julia’s dramas have been seen in the UK, US, Poland, Austria, France and Germany and at the Edinburgh and the Dublin Gay Festivals. They are often rooted in war and use European, minimalist stage techniques to explore complex political histories.
Julia has been produced at the National Theatre, Riverside Studios, the Finborough Theatre, the Tricycle Theatre and the Park Theatre as well as the Staatstheater, Karlsruhe, Germany.
Methuen Drama/Oberon Books publish her scripts. These include The Shylock Play, Woman on the Bridge, Crossing Jerusalem, Blueprint Medea, 12:37, The Dybbuk, St Joan, Theresa and Nineveh. This year she is co-writing The Hysterical Bicycle- An Indian American Tragedy with Anita Chari.
Julia is currently a Royal Literary Fund Fellow and teaches at the University of the Arts.
Awards include a National Endowment for Science, Technology & the Arts Fellowship and a Residency at the Wiener Library.
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Carmen Neat
Set & Costume Designer
Carmen Neat
Set & Costume Designer
Carmen is a London-based stage designer with a background in architecture and as a former international athlete. She is currently completing the MA Theatre Design programme at the University of the Arts London. Her recent theatre credits include Thermodrama, written by Coco Cottam, which premieres at Summerhall as part of the 2026 Edinburgh Fringe Festival. Alongside her theatre practice, Carmen has worked across film, television and fashion in set and production design.
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Tony Simpson
Lighting Designer
Tony Simpson
Lighting Designer
Currently Head of Lighting for Sony Music’s Trails which he’s designed in the UK, Europe and Australia.
For film, he lit Bohemian Rhapsody, was theatrical lighting director for Mission Impossible Rouge Nation and Disney’s Beauty and the Beast.
Theatre includes; Sign of the Times, Bat Boy – The Musical (both West End) Pelleas and Mélisande (Glyndebourne); The Way of The World, The Weir, Waiting for Godot (Royal Theatre, Northampton).
Associate Design: Satyagraha (Los Angeles Opera); Death in Venice (Opera North); National’s Life x 3 and An Inspector Calls (West End & UK tours); Amadeus (West End & US) & Therese Raquin (Royal Opera).
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Andrius Maksimavicius
Assistant Director
Andrius Maksimavicius
Assistant Director
Andrius Maksimavicius is a Lithuanian-born theatre maker completing an MA in Theatre and Performance Design at Wimbledon College of Arts. With a multidisciplinary background in architecture, music and visual arts, he is interested in how different creative disciplines can intersect to shape the experience of live performance. His practice explores the relationship between the individual and society, and how theatre can create space for reflection and dialogue. As Assistant Director on this production, Andrius is particularly interested in the collaborative process of exploring text, character and creative choices, and their impact on an audience.
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This production is supported by
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The Shoresh Charitable Trust
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Pearl & Albert Daube Family Trust
Artwork by Steph Pyne.