Two Flat-Earthers travel to Antarctica to find the edge of the world…
When Honey’s sister dies, she is left with a curious yearning for the South Pole and endless questions. Christopher knows to question everything. He believes that the truth is out there, but it’s hidden from us by the people in power.
In Antarctica, the most inhospitable place on the planet, where nothing is quite what it seems, their unconventional love story turns into a fever dream.
But will they survive discovering what really lies at the ends of the Earth?
Jessica Norman’s gripping debut play, longlisted for the Women’s Prize for Playwriting, explores the perils of a world where ‘truth’ has been co-opted by powerful liars. Directed by Fringe First Award-winner Imy Wyatt Corner, This Little Earth looks at the strange and sometimes dangerous ways we attempt to control the chaotic world around us.
Pre- and post-show events
Conspiracy Theories in Antarctica: What Really Lies Beneath the Ice?
Thursday 30 October (post-show)
In partnership with the UK Antarctic Heritage Trust
From alien outposts to ancient civilizations; hidden portals to the Ice Wall at the Edge of the World, Antarctica has long been a blank canvas for the wildest human imaginations. But what is it about the icy continent that attracts so many conspiracy theories?
Join us for a post-show discussion, inspired by This Little Earth, to explore the conspiracy theories that exist, why they persist and what they say about us.
Playwright Jessica Norman will be joined by Gabriel Gatehouse, journalist, broadcast and author of The Coming Storm: Inside America’s Radical New Politics of Paranoia, Chris French Emeritus Professor of the Anomalistic Psychology at Goldsmiths and author of The Science of Weird Shit: Why our Minds Conjure the Paranormal and Camilla Nichol CEO of the UK Antarctic Heritage Trust, the charity for the public understanding of Antarctica, who will help us debunk the myths and separate fact from fiction.
Antarctica Climate Café
Thursday 13 November (pre-show, Arcola Bar)
In partnership with the UK Antarctic Heritage Trust
Join us before the show for a special Climate Café with an Antarctic twist.
A Climate Café is an open, welcoming space for anyone who wants to talk about the climate crisis, share ideas and explore ways to act – no expertise required. This is a chance to connect with your local community and be part of something hopeful, inspired by This Little Earth by Jessica Norman.
We’ll focus on Antarctica: the continent at the heart of climate science. Together, we’ll explore the incredible research happening in Antarctica and why it matters; how understanding this remote region helps us tackle climate challenges at home and ask what we can do, individually and collectively, to make a difference.
You’ll also get the chance to travel to Antarctica (virtually!) through UKAHT’s immersive Virtual Reality experience.
Climate Cafés are informal, inspiring spaces, designed to spark conversation, build community, and leave you feeling more connected and empowered.
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Running time
90 minutes -
Age guidance
13+ -
Content warnings
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Discounts
Concessions available
Pay What You Can Tuesdays
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Relaxed performance
For Director's work
“Engaging 90 minute performance owes much to the direction of Imy Wyatt Corner”- The Guardian on Duck
“Directed with Leonine sleekness”- The Stage on BEASTS
“Wyatt Corner’s clever direction clearly informs the actors’ naturalistic physicality on stage”- Broadway Baby on Passing
The Company
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Fanta Barrie
Honey
Fanta Barrie
Honey
Fanta Barrie graduated from Rose Bruford in 2018 and went straight into Songlines for High Tide / Edinburgh Festival. She played ‘Vic’ in new period comedy Belly Up at the Turbine Theatre. On screen she plays Kitty in My Lady Jane (Amazon).
Other Theatre credits include: The Ministry of Lesbian Affairs (Kiln Theatre), The Loved Ones (Gate Theatre), The Ministry of Lesbian Affairs (Soho Theatre), The Lovely Bones (directed by Melly Still), The Amber Trap (Theatre 503 Damsel productions) and The Cereal Café (The Other Place).
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Ross O’Donnellan
Christopher
Ross O’Donnellan
Christopher
Ross most recently starred in The Beacon (Sara Joyce, Everyman Cork), with previous credits including Belfast (Kenneth Branagh, Focus Features); I’m a Good Person (Tamsin Topolski, Carali Films); Egg Timer (Rosie May Bird Smith, Slick Films); Luck Just Kissed You Hello (Wayne Jordan, Abbey Theatre Dublin) and Julius Caesar (Simon Dormandy, Bristol Old Vic). He trained at Bristol Old Vic Theatre School.
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Jessica Norman
Writer
Jessica Norman
Writer
Jessica Norman is a writer for stage and screen She’s an alumnus of the Hampstead Theatre’s Inspire Writers Group, Oxford Playhouse Playmakers and Soho Theatre Writers Lab.
Her other plays include: Wilding (shortlisted for the Papatango Prize and long-listed for the Women’s Prize for Playwriting); The Healing (written on attachment to the Hampstead Theatre), The Stones and Vitriol (developed with Oxford Playhouse).
For screen, she is developing a slate of projects including an original series with James Norton’s Rabbit Track Pictures. In 2020, her short film Embraceable You, written and filmed during lockdown, won Best Isolation Short at the LA Motion Picture Festival.
Before becoming a writer, Jessica worked as a producer and creative associate in the West End, with development credits including Harry Potter and the Cursed Child.
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Imy Wyatt Corner
Director
Imy Wyatt Corner
Director
Imy trained on the Drama Directing MA at Bristol Old Vic Theatre School.
Direction includes The Last One (Arcola Theatre), The Maladies (Kiln Theatre- Kiln Youth Theatre), Duck (Arcola Theatre, Jermyn St Theatre, South East tour with Farnham Maltings), Passing (Park Theatre), Scarlet Sunday (Omnibus Theatre), BEASTS (Fringe First Award Winning – Zoo Playground), A Midsummer Night’s Dream (The Grove DIY Skatepark), Gaslight (Playground Theatre), Walk Swiftly & With Purpose (Theatre503, North Wall Arts Centre), Baby, What Blessings (Bunker Theatre, Theatre503) and Happy Yet? (International Theatre, Frankfurt).
Associate direction includes The Dance of Death (Theatre Royal Bath & Arcola Theatre UK Tour).
Assistant direction includes Private Lives (Ambassador’s Theatre), Relatively Speaking(Theatre Royal Bath UK Tour), The Lonely Londoners (Kiln Theatre), Shanghai Dolls (Kiln Theatre), Pins & Needles (Kiln Theatre) and The Purists (Kiln Theatre).
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3 hearts canvas
Producer
3 hearts canvas
Producer
3 Hearts Canvas is a London-based theatre production company dedicated to creating high-quality, socially-conscious work that pushes the boundaries of creativity within the entertainment industry.
Founded in 2019, we have produced a range of acclaimed shows, including The Actor’s Nightmare (Park Theatre), Smoke (Southwark Playhouse), SPIN (Edinburgh Fringe – Gilded Balloon & Arcola Theatre) and Cassie & The Lights (Southwark Playhouse & Theatre Royal Plymouth). Beyond production, we actively fundraise and manage research and development periods for bold new writing. We are passionate about championing diverse voices, treating artists with respect, paying freelancers fairly, and building creative teams that reflect the rich, dynamic communities that make the UK thrive.
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Izzy Carney
Producer
Izzy Carney
Producer
Izzy is a Theatre Maker based in London. This is her debut as a Producer, having worked as a Director and Dramaturg. Her credits include Don’t Ask Don’t Get, Baby (Off Comm Commended; The Space, Edinburgh Fringe 2023), Helium (The Space 2023). She is passionate about new writing and stories that encourage empathy and share new perspectives. Currently working in the New Work Department at the National Theatre, Carney is also the Co-Founder of Happy Accident Theatre Company.
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Cat Fuller
Set and Costume Designer
Cat Fuller
Set and Costume Designer
Cat is a Set and Costume Designer working in Theatre and Performance. She graduated with an MA in Performance Design from Bristol Old Vic Theatre School and was a winner of The 2021 Linbury Prize.
Design Credits include: The Constant Wife (Co-Costume Design) (RSC), Churchill in Moscow, Testmatch (The Orange Tree), Red Speedo (Costume Design & Associate Set) (The Orange Tree), The Maids, Owners (Jermyn Street Theatre), Scarlet Sunday (Omnibus Theatre), Snail (VAULT Festival), Flies (Boundless Theatre & Shoreditch Town Hall), The Sweet Science of Bruising (The Egg, Theatre Royal Bath), Romeo and Juliet (Bristol Old Vic), The Three Seagulls (Set Design) (Bristol Old Vic), Kyoto (The Wardrobe Theatre), Falling in Love Again (Set Design) (Kings Head Theatre)
Associate Design include: 13 Going on 30: The Musical (Manchester Opera House) The Time Traveller’s Wife: The Musical (West End/Chester Storyhouse), A Christmas Carol (Finnish National Opera and Ballet), Much Ado About Nothing (National Theatre), Home I’m Darling (UK tour), If You Fall (Theatre Ad Infinitum).
Awards include: The Linbury Prize for Stage Design – 2021, The John Elvery Prize for Excellence in Stage Design – 2021, Offies nomination for Set Design of Owners at Jermyn Street Theatre.
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Hugo Dodsworth
Light and Projection Designer
Hugo Dodsworth
Light and Projection Designer
Hugo is a Performance Designer working across disciplines of set, lighting, and video design. He trained at Bristol Old Vic Theatre School after reading Italian and History of Art at UCL.
Theatre credits include Dear Annie, I Hate You (Pleasance Courtyard, Riverside Studios), Dear Young Monster (Soho Theatre, Bristol Old Vic), Night Waking (Mull Theatre), Henry V, Catastrophe Bay, Babytales, and Loam (Bristol Old Vic), The Last One (Arcola), Mariupol (Pleasance Courtyard, Cockpit Theatre), Sensory Cinders (Soho Place), The Crucible (the egg, Theatre Royal Bath), Machinal, The White Devil, Mother Courage and Her Children, Lysistrata, The Visit, and Between the Roots and Wings (Royal Central School of Speech and Drama), Angels in America, The Cherry Orchard, Balm in Gilead, and Darknet (Tobacco Factory), Answering Machines (East Riding Theatre), Illusion and Saint Joan (Bloomsbury Theatre), The Telephone and La Voix Humaine (Playground Theatre), Fame Whore (Kings Head Theatre), Not the End of the World (Cockpit Theatre), How You Died (Old Red Lion), The Last Days of Judas Iscariot (The Station), Girl in the Machine (Wardrobe Theatre), Romeo and Juliet (Redgrave Theatre), Little Light (Tower Theatre).
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Jamie Lu
Sound Designer
Jamie Lu
Sound Designer
Jamie is a London-based scenographer and an award-nominated sound designer.
Previous work at the Arcola includes: Utoya, Spin, Gentlemen, The Apology, We Started to Sing, Broken Lad.
Jamie’s theatre credits as sound designer include: English Kings Killing Foreigners, A Gig for Ghosts (Soho Theatre); The Poetess (EdFringe25): Big Big Sky, The Haunting (New Vic Theatre); Puppy (King’s Head); The Society For New Cuisine, Argos Archives, George, Tiger (Omnibus Theatre); Still Here (Tour and Jack Studio Theatre); Take the Stage 2024 (Donmar Warehouse); Autumn, Sorry We Didn’t Die at Sea (Park Theatre); Abigail’s Party (Northern Stage and tour); Midnight Tattoo (Drayton Arms); Foreverland, I’m Gonna Marry You Toby Maguire, Smoke, Tokyo Rose (Southwark Playhouse); The Government Inspector (Marylebone Theatre); Mother’s Day, Grills, Declan (Camden People’s Theatre); Ada (National Youth Theatre); Transit (The Space); Shakespeare’s R&J, Hedda Gabler (Reading Rep); 1984 (Cockpit); Going For Gold, Road (Chelsea Theatre); Burnout (R&D, Vault Festival and tour); Iphigenia (Hope Theatre); fester (Bridge House Theatre); Paradise Lost (Shipwright); The Unicorn, What The Heart Wants, How To Build a Wax Figure (Edinburgh Fringe 2022); The Blue House (Blue Elephant Theatre); Dirty Hearts (Old Red Lion Theatre). D.O.A., A Report to an Academy, Butterfly, The Most Beautiful Woman in the World (Baron’s Court Theatre); Apollonia, Flowers for Algernon, Black Mary Poppins (Focustage/Chinese Tour); Paper Crown (Corbett Theatre/Bloomsbury Festival); Wild Duck (West Side Theatre, ET Space, China); The Sound of Music (Chinese Tour); Sink (Courtyard Theatre/Edinburgh Fringe/Southbank Centre China Changing Festival); String (Lion and Unicorn Theatre).
As Assistant Sound Designer: Henry V (Donmar Warehouse).
As Scenographer: A Thousand Papercuts Skin Deep (Baron’s Court Theatre), A Report to an Academy·Live (online).
Sound design for Audio play: The Dream Machine (Fizzy Sherbet).
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Hamza Ali
Movement and Intimacy Director
Hamza Ali
Movement and Intimacy Director
Hamza is a director and movement practitioner with a practice spanning direction, facilitation, and performance. Credits include Our Place (Lyric Hammersmith), The Maladies (Kiln Theatre), Community (Birmingham Rep) and Statues (Bush Theatre). He served as Resident Director for Kiss Marry Kill (National Theatre Studios / Tour) and was lead performer for Waswasa (Birmingham Hippodrome). He has facilitated workshops for NYT, Kiln Theatre, Lung Theatre, Peut-Être, and SOLT; directed original work for The Place, Edinburgh Fringe and artsdepot; and was a visiting professional/artist at RCSSD, CSM, and University of Cambridge. Hamza holds an MA in Movement from the Royal Central School of Speech and Drama and a BA in Drama from Royal Holloway.
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Hannah Gillett
Stage Manager
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Daniel Steward
Production Manager
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Jess Edwards
Development Director
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Anita Garner
Scenic Artist
Book your tickets
Event Instance Listings
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Mon 27 Oct
7pm
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Tue 28 Oct
7pm
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Relaxed performance
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Wed 29 Oct
7pm
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Thu 30 Oct
7pm
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Fri 31 Oct
7pm
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Sat 1 Nov
3.30pm
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Sat 1 Nov
7pm
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Mon 3 Nov
7pm
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Tue 4 Nov
7pm
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Wed 5 Nov
7pm
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Thu 6 Nov
7pm
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Fri 7 Nov
7pm
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Sat 8 Nov
3.30pm
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Sat 8 Nov
7pm
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Mon 10 Nov
7pm
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Tue 11 Nov
7pm
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Wed 12 Nov
7pm
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Thu 13 Nov
7pm
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Fri 14 Nov
7pm
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Sat 15 Nov
3.30pm
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Sat 15 Nov
7pm
This production is supported by
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Arts Council England
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3 hearts canvas
Special thanks to Tony Tabatznik, Arts Council England, Matthew Warchus, The Golsoncott Foundation, The Diana and Allan Morgenthau Charitable Trust, and The UK Antarctic Heritage Trust.