Without us here, though, can you imagine how much worse it would be?
It’s 2024. After years circling the globe delivering aid, Jo has built a career supporting those most in need – a good person doing good things.
But 75 years after her grandfather got the idea of “international development” into President Truman’s inaugural speech, global inequality is worse than ever. Eight billionaires now hold the same wealth as the poorest half of humanity.
And when Jo meets an activist who is fighting with her life for her nation’s future, she can’t shake the feeling that the system she passionately believes in might be part of the problem.
Spanning continents and decades, A Fine Idea travels from post-war idealism to today’s overlapping crises, unpicking the history of aid, power and good intentions.
And confronting the question at the heart of it all:
Do we really want to change things – or do we just like the idea of helping?
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Running time
90 mins (no interval) -
Age guidance
14+ (TBC) -
Discounts
Concessions available
Pay What You Can Tuesdays
Praise for previous productions from ice&fire
"Gripping theatre that is at once succinct, shocking and wryly funny… Throughout, the acting is riveting, unflashy and full of conviction, while the stories the play tells are truly humbling"– The Times, on ice&fire's On the Record
"A vital play for grubby times"– Evening Standard Critics' Choice, for ice&fire's On the Record
The Company
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Ella Bryant
Jo
Ella Bryant
Jo
A Fine Idea marks Ella’s professional stage debut.
She trained at Mountview and is a 2025 graduate of the BA (Hons) Acting program.
Credits while training include: Stella Kowalski in A Streetcar Named Desire (Final Year Performance).
Short Film: SCUM (released late 2026).
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Georgina Rich
Laura / Christine
Georgina Rich
Laura / Christine
Georgina trained at RADA.
Theatre credits include: Backstroke (Donmar Warehouse); Richard III (Arcola Theatre); Rabbit Hole (Hampstead Theatre); Between Us (Arcola Theatre); As You Like It (The Rose Theatre); The Merchant of Venice (RSC); Dirty Dancing (Aldwych Theatre); Honour (Wyndham’s Theatre); Much Ado About Nothing (Crucible Theatre Sheffield); Lear – Edward Bond (Crucible Theatre Sheffield) and Twelfth Night (English Touring Theatre).
TV credits include: Industry; Heartstopper ; War of the Worlds ; Malpractice; The Jetty ; Criminal Record; Grace ; Sister Boniface ; Midsomer Murders Call The Midwife ; Queens of Mystery; Black Mirror: Hated In The Nation; Ripper Street; Rellik; Wallis: The Queen That Never Was ; Cuffs; River; Sherlock and Spooks.
Film credits include: September 5th ; Soundproof ; Blithe Spirit ; Radioactive and Dimensions.
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Grace Saif
Kala
Grace Saif
Kala
Grace trained at RADA.
Theatre includes: Ballet Shoes (National Theatre); Sea Creatures (Hampstead Theatre); Athena (Yard Theatre); Antony & Cleopatra (Gate Theatre); The Prime of Miss Jean Brodie (Donmar Theatre); Mary Stuart (Almeida); When You Cure Me, A Bitter Herb, Blues for an Alabama Sky, Macbeth, Hamlet, The Man of Mode, The Theban Plays, Girls and Dolls (RADA).
TV includes: 13 Reasons Why, The Blame.
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Kevin Trainor
Ben / Elio
Kevin Trainor
Ben / Elio
Theatre includes: An Octoroon (National Theatre); Playboy of the Western World; Six Degrees of Separation (Old Vic); Comedy of Errors; Postcards from America; Solstice; Twelfth Night (RSC & West End); Bent (West End); Tartuffe; Drama at Inish (Abbey Theatre; Dublin). Saint Joan (Lyric; Belfast); Titanic (The Mac; Belfast); title role in Doctor Faustus (West Yorkshire Playhouse/GlasgowCitz); Canary (Liverpool/Hampstead/ETT); Yes So I Said Yes (Finborough); The Lovers of Viorne (Frontier Theatre); Lost Monsters (Liverpool Everyman); Love’s Labour’s Lost (Rose Theatre Kingston); 2000 Feet Away (Bush); Gladiator Games (Theatre Royal Stratford East); By Jeeves (Landor); Fishbowl (Theatre503).
TV includes: Clean Sweep; Endeavour; Utopia; Wodehouse in Exile; Vera; London Irish; The Café; Sherlock; John Adams; The Catherine Tate Show; Tripping Over; Building the Titanic and Commander.
Film includes: Hellboy and Make It New John.
Radio includes: Tommies; Ulysses; The Royal Game; The Hares in the Old Plantation and Rasselas.
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Christine Bacon
Writer
Christine Bacon
Writer
Christine was a core member of Actors for Refugees Australia, until she moved to the UK in 2004 to complete an MSc in Forced Migration at Oxford University. She founded ice&fire‘s outreach network Actors for Human Rights and has developed multiple performance and participation projects for the company. Christine is a trustee of Student Action For Refugees and works part-time as an immigration adviser. Plays for ice&fire include On the Record (with Noah Birksted-Breen), Rendition Monologues, The Illegals, Broke, Seven Years with Hard Labour, Souvenirs, The Island Nation, Lost and Found, My Skype Family, #ArmingtheWorld (with Ben Chessell), What Do I Know (with Amina Atiq) and The People Woke Up.
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Charlotte Westenra
Director
Charlotte Westenra
Director
Charlotte is a director and dramaturg. Her most recent show Agreement won the BWW Irish Award for Best Director, Best Play and Best New Play. It was nominated for the International Award at the Stage Awards and Best Play at the UK Theatre Awards. Hillary Clinton said it was “absolutely captivating” and Alastair Campbell named it the “Cultural Event of 2023” on the Rest is Politics podcast. Other credits include The Wicker Husband (“Westenra’s perfectly nuanced production” WhatsOnStage.com), The Return Of The Soldier at New Wolsey and Hope Mill (“Delicately directed… Full of heart and achingly beautiful” Opening Night), Titanic for the Mac, Belfast (“Westenra directs the cast with superb attention to nuance” The Guardian), Lower Ninth for Donmar at Trafalgar (“To judge by the tension, humour and sudden surprises that Charlotte Westenra conjures in her production… she has an exciting future ahead of her” Daily Telegraph) and Kiss Of The Spiderwoman at the Donmar Warehouse (“Westenra’s direction is tender, unflinching and full of visual flair. Spellbinding.” Time Out).
More info here: Charlotte Westenra or her website – https://www.charlottewestenra.com/about.
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Matthew Schmolle for Matthew Schmolle Productions
General Manager
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Georgia Wilmot
Set Designer
Georgia Wilmot
Set Designer
As a set & costume designer credits include:
Private View (Soho); Carrie (CSSD); Elephant (Menier Chocolate Factory); Conversations After Sex (Park Theatre); Cross The Line, Tour (Lyric Theatre Hammersmith); Takeaway (Everyman Theatre, Liverpool); Communion (Bush Theatre), The End (Bush Theatre), Before I Go (Brixton House), This Is A Love Story, 2024 (Birmingham Hippodrome), Proof, Three Sisters, Chaos, Animal Farm (St Marys University Summer Festival) Red Pitch, 2023 (Bush Theatre), The Wrong Reindeer, 2023 (Oldham Theatre Workshop), The Time Has Come, 2023,(The Playground Theatre) Invisible, 2023 (59E59 Theatre), Elephant, Clutch, Invisible and The Kola Nut Does Not Speak English (Bush Theatre), BACK UP!, The Route (Bush Theatre), Project 2036 (Bush Theatre), Covered (New Heritage Theatre at Paddington Arts Centre), I Knew You (Birmingham Repertory Theatre), Days Of Significance (Questors Theatre).
Writing & Illustration credits include:
The Adventures Of, Book 1, series of children’s books, (Illustrator) My Trauma, My Healing (Illustrator), Life, Lemons and Melons (Illustrator), The Tiger in the Trilby, (Author and Illustrator), Monroe (ITV, costume trainee), Superdrug’s YouTube Christmas campaign 2017.
Television, Advertising and Social Media credits include:
Monroe (ITV, costume trainee) and Superdrug’s YouTube Christmas campaign 2017.
Georgia trained in Interior Design at Liverpool John Moores University before moving in to Theatre Production and Costume Design. In 2024 Georgia was thrilled to be nominated for a Black British Theatre Award in the Theatre Design (body of work) category.
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Emma Williams
Costume Designer
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Hartley T A Kemp
Lighting Designer
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Tom Smith
Sound Designer
Tom Smith
Sound Designer
Tom is a Sound Designer based in York. He trained at the London Academy of Music and Dramatic Art, and after graduating worked backstage at York Theatre Royal for three years. He has since worked across the UK on a mix of drama, Shakespeare, new writing, musicals, pantomime and actor-musician productions.
Credits as Sound Designer include: Krapp’s Last Tape for Royal Court Theatre and York Theatre Royal; Sleeping Beauty, Aladdin, Jack and the Beanstalk, Robin Hood: The Arrow of Destiny and The Hound of the Baskervilles for York Theatre Royal; Biting Point, Baby, He Loves You and Red Riding Hood for Middle Child; One Man, Two Guvnors, Frankenstein, Jekyll & Hyde, Emilia, That Bloody Woman, The Lightning Thief, Urinetown, Vernon God Little and Darknet for Leeds Conservatoire; The Whispering Jungle for Concrete Youth; and A Midsummer Night’s Dream for Hull Truck Theatre.
Credits as Associate Sound Designer include 71 Coltman Street for Hull Truck Theatre.
Credits as Sound No.1 include: My Fair Lady for Leeds Playhouse; Modest for Middle Child; Military Wives and Mayflies for York Theatre Royal; The Book Thief for Octagon Theatre Bolton; Murder on the Orient Express, The Taxidermist’s Daughter, Macbeth, Plenty and Shadowlands for Chichester Festival Theatre; Crongton Knights and Brighton Rock for Pilot Theatre; and Cinderella for New Wolsey Theatre.
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Gurkiran Kaur
Vocal & Accent Coach
Gurkiran Kaur
Vocal & Accent Coach
Gurkiran Kaur trained has a Master of Arts degree in Voice Studies from The Royal Central School of Speech and Drama.
Theatre Credits Include: Noughts & Crosses (Pilot Theatre); Second Trimester (Battersea Arts Centre); Trans It (Leicester Curve); Sweetmeats, blackbird hour…, Wolves On Road, The Real Ones, The Cord, A Playlist For The Revolution, Paradise Now, The P Word, Favour, Red Pitch (Bush Theatre); Draw The Circle (Hedgerow Theatre Philadelphia USA); Before The Millennium (Old Fire Station); Elmet (The Javaad Alipoor Company); I’LL BURN THE OCEAN/FOR YOU (Talawa Theatre); Come Fall In Love (Playful Productions); Marriage Material (Lyric Hammersmith & Birmingham Rep); Millennium Girls (Brixton House); The DaVinci Code (Wiltshire Creative); Sophia (Eastern Angles Theatre); Bangers (SH Productions); Ghoststories (High Tide Theatre); King Troll (Kali Theatre & New Diorama); A Tupperware of Ashes (National Theatre); Peanut Butter & Blueberries (Kiln Theatre); Dylan Mulvaney: FAGHAG (Soho Theatre); Refugee! (62 Gladstone Street); The Secret Garden. (Regents Park Open Air Theatre), Expendable, Dugsi Dayz (Royal Court), Re Pitch (Soho Place), Sweat, Great Expectations (Royal Exchange Manchester), The Buddha of Suburbia. Falkland Sounds, The Empress (The Royal Shakespeare Company),Frankie Goes To Bollywood (Watford Palace), This Much I Know, Lotus Beauty (Hampstead Theatre), The Enormous Crocodile: The Musical (Leeds Playhouse), A Poem For Rabia (Tarragon Theatre Toronto, Brassic FM (Gate Theatre), I Wanna Be Yours (Melbourne Theatre Company), Wuthering Heights, Unexpected Twist (Royal & Derngate), Anansi The Spider, Marvin’s Binoculars (Unicorn Theatre), I Wonder If…, Chasing Hares, Best of Enemies (Young Vic), A Dead Body In Taos (Fuel Theatre), Silence (Donmar Warehouse), The Best Exotic Marigold Hotel (Simon Friend Entertainment), Finding Home (Curve Leicester), The Climbers (Theatre by The Lake), Offside (Futures Theatre), Henry VIII (Shakespeare’s Globe), Queens of Sheba (Soho Theatre), How To Save The Planet When You’re A Young Career & Broke (Roundhouse), NW Trilogy (Kiln Theatre), Extinct (Theatre Royal Stratford East).
TV Credits Include: Good Karma Hospital (ITV & Tiger Aspect Productions); Hotel Portofino (ITV, PBS & Eagle Eye) and Strange Evidence (Matt’s Gallery).
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Jonny Berliner
Composer
Jonny Berliner
Composer
Jonny Berliner’s theatre credits include: Still We Weave (MAC; Belfast); Thursdays With Elvis (Royal Opera House; Belfast); Party Beach (CSU Riverina Playhouse; Wagga Wagga); Dude! Where’s My Teddy Bear? (Tricycle); Ice Cream Man and the Jelly Incident (Tricycle); Cash in Christ (Assembly@Hill Street); The Scribe Who Wouldn’t Scribble (Southbank Centre).
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Kev McCurdy
Fight and Movement Director
Kev McCurdy
Fight and Movement Director
Kev trained at The Royal Welsh College Of Music and Drama and is also Co-Founder of The Academy of Performance Combat.
Theatre & Opera includes:
Les Misérables (Sondheim Theatre); Phantom of The Opera (His Majesty’s Theatre); The Play That Goes Wrong (Duchess Theatre); Brigadoon (Regent’s Park); Othello (National Theatre); All My Sons (Wyndham’s Theatre); Edward II (RSC); Stranger Things: The First Shadow (Phoenix Theatre); The Hunger Games On Stage (Troubadour Canary Wharf); Oedipus (Wyndham’s Theatre & Broadway); Carmen (Waterperry Opera); Don Giovanni, Blaze Of Glory (WNO); Saul; Falstaff (Glyndebourne); Small Island (Leeds Playhouse, Birmingham Rep & Nottingham Playhouse); Romeo and Juliet (Harold Pinter Theatre); A Midsummer Night’s Dream at Birmingham Rep; The Karate Kid The Musical (UK tour).
TV & Film includes: John Carter Of Mars; Protein, The Mill Killers; Until I Kill You; Bariau S1, 2 & 3; Believe Me; The Undisclosed War.
Directing includes: The Saliva Milkshake; The Glass Menagerie; Making Of A Motherer; Jekyll And Hyde The Musical; The Welsh Dragon; The Fight (world premiere).
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Lewis Champney
Production Manager for eStage
Lewis Champney
Production Manager for eStage
Trained at RCSSD.
Theatre includes: The Disappearing Man, Robin Hood (Queens Theatre Hornchurch); Sherlock Holmes & Napoleon of Crime, The Three Musketeers (Oxford Playhouse); Twenty Thousand Street Under the Sky, Captain Amazing (Southwark Playhouse); Whodunnit [Unrehearsed] 4, The Rat Trap, The Forsyte Saga, Farewell Mister Haffmann, 23.5 Hours, Sorry We Didn’t Die At Sea (Park Theatre); The Gods of Salford (The Lowry); Cutting The Tightrope (Edinburgh International Festival); Cutting the Tightrope, As Long As We Are Breathing, Gigi & Dar (Arcola Theatre); Puppy (Kings Head Theatre); A Christmas Fair (Oldham Coliseum) Sweeney Todd, A Very Expensive Poison, Next to Normal (Mountview); This Restless House (Part 1,2 & 3), Lysistrata (RCSSD).
Opera Includes: The Little Zombie Girl (The Shaw Theatre); Eugene Onegin (Jacksons Lane Theatre).
Assistant/Associate Production Manager: Tamerlano (Shoreditch Town Hall); When it Happens to You, The Marilyn Conspiracy, Whodunnit 3, Kims Convenience, A Single Man (Park Theatre); The Quest (Shaw Theatre); Rinaldo, Pandora’s Box (Royal Academy of Music); The Oddyssaid, The Hobbit (Oxford Playhouse); Some Demon (Arcola Theatre); Here (Southwark Playhouse); Dick Whittington, Killing Jack (Queen’s Theatre Hornchurch); Playlist for a Revolution, Sleepova, Paradise Now! (Bush Theatre).
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Laura Whittle
Stage Manager
Laura Whittle
Stage Manager
Laura Whittle is a freelance Stage Manager.
Previous credits include:
As Company Stage Manager: Fly More Than You Fall (Southwark Playhouse), Wish You Weren’t Here (Sheffield Playhouse/Soho Theatre/ Tour).
As Venue Manager: Pleasance Grand/ Beyond (Edinburgh Festival Fringe), VAULT Festival (The Vaults), Underbelly La Clique (Leicester Square), Underbelly Lafayette (Edinburgh Festival Fringe).
As Stage Manager: The Anchoress (South East Dance), The Shivers (Polka/New Diorama Theatre/Schools tours), Time Sliders (job share, Breach/NDT), Neverland/Halloween Light Trails (Kenwood House), The Table (Peterborough Key Theatre), Five Shorts (Young Vic), The Light Princess (The Albany Deptford, Arc Stockton, tour), Captain Amazing (Southwark Playhouse), Pride London (Leicester Square Stage), Tapped (Theatre 503/Tour), Bangers (Soho Theatre/Tour), Headcase (Queen’s Theatre Hornchurch/Trinity Theatre), Snow (Tour), Good Connections (Extraordinary Bodies), Various productions with Moth Physical Theatre, Various drama school productions.
As Deputy Stage Manager: Haringey Feast (Alexandra Palace).
As Assistant Stage Manager: Miss Myrtle’s Garden (Bush Theatre), Platinum Pageant (The Queen’s Platinum Jubilee), Gin For Breakfast (Tristan Bates Theatre).
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Genevieve Papadopoulos
Assistant Stage Manager
Genevieve Papadopoulos
Assistant Stage Manager
Genevieve Papadopoulos is a trained Clown and Mask Maker, studying at both Ecole Philippe Gaulier, Paris and Atelier of Matteo Destro in Tuscany. Now, Gen works predominantly as a Producer and Production Stage Manager.
Her recent credits include: Dr Adam Kay’s This is going to Hurt (Tour Manager, Ireland); Garry Starr: Classic Penguins (Assistant Producer/ Stage Manager, Australia), and producer of multiple award winning shows across Europe, many Fringe Festivals and notably Soho Theatre, London.
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Nadine Rennie CDG
Casting Director
Nadine Rennie CDG
Casting Director
Nadine is Co-Chair of the Casting Directors Guild & Creative Associate at Synergy Theatre Project. Prior to going Freelance, Nadine was in-house Casting Director at Soho Theatre for over fifteen years. 2025 projects have included Philip Ridley’s The Pitchfork Disney ; ELMET (Javaad Alipoor Company ); The Meat Kings! (Inc) of Brooklyn Heights (Papatango/Park Theatre); LIFERS (Synergy Theatre at Southwark) and Scenes From The Climate Era (Gate Theatre).
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John Bulleid
Illusion Designer
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Muniira Ali
Assistant Director
Muniira Ali
Assistant Director
Muniira trained with Intermission Youth Theatre. Assistant Director theatre credits include: Followers (London schools tour); Two Gentlemen of Verona (Royal Shakespeare Garden); and Much Ado About Nothing (Collective Theatre). Film credits include: Moments of Nora (Director/Producer).
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Chris May
Assistant Lighting Designer
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Eleni Foundoukis
Costume Supervisor
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Anne Dillow at Möbius
Marketing
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For any Press Enquiries please contact Nancy Poole.
This production is supported by
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Arts Council England
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Cockayne (Grants for the Arts)
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Network for Social Change
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Garrick Charitable Trust
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Unity Theatre Trust
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MSN Fund
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Sylvia Waddilove Foundation
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Mbili Trust
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Rhododendron Trust