Five plays: A nation’s fight for freedom.
From the producer-director of the Olivier Award-nominated The Great Game – Afghanistan comes a powerful cycle of short plays about courage, truth and survival in the face of tyranny.
Ukraine Unbroken charts twelve turbulent years of modern Ukrainian history, from the Maidan protests of 2014 to Russia’s full-scale invasion in 2022 and beyond. Across five gripping plays by some of today’s most acclaimed British and Ukrainian writers, including David Edgar, David Greig and Natalka Vorozhbit, we explore the resilience of a nation determined to remain free.
Performed with live Ukrainian music from Mariia Petrovska on the bandura and woven through with headlines and voices from the front line, Ukraine Unbroken is a portrait of resistance and resilience.
Join us for an evening of theatre, testimony and tribute to the unbreakable spirit of Ukraine.
The Plays
Act 1: Demonstrations & Invasions
- In Always by Jonathan Myerson (BBC’s Nuremberg: The Trial of the Nazi War Criminals), a married couple is held hostage inside Hotel Ukraina in 2014 as their son protests in Maidan Square below.
- David Edgar (The Life and Adventures of Nicholas Nickleby; Destiny) takes a darkly comic and sinister look at the ambition and delusion of Russia’s 2022 “Special Military Operation” – an invasion that was not an invasion and a war that was not a war.
Act 2: War
- Natalka Vorozhbit (Bad Roads) explores the shame of survival in 3 Mates, translated by Sasha Dugdale – a darkly humorous confession from a Ukrainian man in hiding from conscription, reflecting on the different paths through the war he and his friends have taken.
- David Greig (Dunsinane; The Events) tells a story of Ukrainian front-line troops who have captured a wounded North Korean soldier and must decide whether to risk their own lives to save his.
- Cat Goscovitch (A Russian Doll) confronts the harrowing reality of the 20,000 Ukrainian children stolen by Russia in Taken, which follows one mother’s search for her daughter through a world of propaganda and re-education, where both childhood and country are erased.
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Running time
2 hours 40 minutes (including interval) -
Age guidance
13+ -
Discounts
Concessions available
Pay What You Can Tuesdays
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Captioned performance
The Company
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Nicolas Kent
Director
Nicolas Kent
Director
Nicolas Kent started at the Liverpool Playhouse (1967), later was a resident director at the Watermill, Traverse, and Oxford Playhouse Company. From 1984–2012 he led London’s Tricycle Theatre, creating the acclaimed “Tricycle Tribunal” political plays, several televised and performed in Parliament and Washington. His credits include The Great Game – Afghanistan, Guantanamo, Bloody Sunday and Grenfell He has directed at the National Theatre, the RSC, in the West End and the Public Theater in New York.
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David Edgar
Writer
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Cat Goscovitch
Writer
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David Greig
Writer
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Jonathan Myerson
Writer
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Natalka Vorozbhit
Writer
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Sasha Dugdale
Translator
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Victoria Gartner
Associate Director
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Michael Taylor
Set & Costume Designer
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Matt Eagland
Lighting Designer
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Sound & Video Designer
Joe Dines
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Mariia Petrovska
Music
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Nadine Rennie
Casting Director
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Joe Prentice
Production Manager
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Mariia Petrovska
Bandura Player
Book your tickets
Event Instance Listings
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Thu 26 Feb 2026
7.30pm
Preview
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Fri 27 Feb 2026
7.30pm
Preview
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Sat 28 Feb 2026
2.30pm
Preview
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Sat 28 Feb 2026
7.30pm
Preview
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Tue 3 Mar 2026
7.30pm
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Wed 4 Mar 2026
7.30pm
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Thu 5 Mar 2026
7.30pm
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Fri 6 Mar 2026
7.30pm
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Sat 7 Mar 2026
2.30pm
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Sat 7 Mar 2026
7.30pm
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Mon 9 Mar 2026
7.30pm
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Tue 10 Mar 2026
7.30pm
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Wed 11 Mar 2026
7.30pm
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Captioned performance
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Thu 12 Mar 2026
7.30pm
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Fri 13 Mar 2026
7.30pm
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Sat 14 Mar 2026
2.30pm
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Sat 14 Mar 2026
7.30pm
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Mon 16 Mar 2026
7.30pm
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Tue 17 Mar 2026
7.30pm
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Wed 18 Mar 2026
7.30pm
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Thu 19 Mar 2026
2.30pm
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Thu 19 Mar 2026
7.30pm
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Fri 20 Mar 2026
7.30pm
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Sat 21 Mar 2026
2.30pm
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Sat 21 Mar 2026
7.30pm
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Mon 23 Mar 2026
7.30pm
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Tue 24 Mar 2026
7.30pm
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Wed 25 Mar 2026
7.30pm
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Thu 26 Mar 2026
2.30pm
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Thu 26 Mar 2026
7.30pm
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Fri 27 Mar 2026
7.30pm
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Sat 28 Mar 2026
2.30pm
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Sat 28 Mar 2026
7.30pm
This production is supported by the John S. Cohen Foundation.