Five plays: A nation’s fight for freedom.
From the producer-director of the Olivier Award-nominated The Great Game – Afghanistan comes a powerful cycle of short plays about courage, truth and survival in the face of tyranny.
Ukraine Unbroken charts twelve turbulent years of modern Ukrainian history, from the Maidan protests of 2014 to Russia’s full-scale invasion in 2022 and beyond. Across five gripping plays by some of today’s most acclaimed British and Ukrainian writers, including David Edgar, David Greig and Natalka Vorozhbit, we explore the resilience of a nation determined to remain free.
Performed with live Ukrainian music from Mariia Petrovska on the bandura and woven through with headlines and voices from the front line, Ukraine Unbroken is a portrait of resistance and resilience.
Join us for an evening of theatre, testimony and tribute to the unbreakable spirit of Ukraine.
The Plays
Act 1: Demonstrations & Invasions
- In Always by Jonathan Myerson (BBC’s Nuremberg: The Trial of the Nazi War Criminals), a married couple is held hostage inside Hotel Ukraina in 2014 as their son protests in Maidan Square below.
- David Edgar (The Life and Adventures of Nicholas Nickleby; Destiny) takes a darkly comic and sinister look at the ambition and delusion of Russia’s 2022 “Special Military Operation” – an invasion that was not an invasion and a war that was not a war.
Act 2: War
- Natalka Vorozhbit (Bad Roads, trans. Sasha Dugdale) explores the shame of survival in Three Mates, translated by Sasha Dugdale – a darkly humorous confession from a Ukrainian man in hiding from conscription, reflecting on the different paths through the war he and his friends have taken.
- David Greig (Dunsinane; The Events) tells a story of Ukrainian front-line troops who have captured a wounded North Korean soldier and must decide whether to risk their own lives to save his.
- Cat Goscovitch (A Russian Doll) confronts the harrowing reality of the 20,000 Ukrainian children stolen by Russia in Taken, which follows one mother’s search for her daughter through a world of propaganda and re-education, where both childhood and country are erased.
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Running time
2 hours 40 minutes (including interval) -
Age guidance
13+ -
Discounts
Concessions available
Pay What You Can Tuesdays
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Captioned performance
The Company
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Daniel Betts
Actor
Daniel Betts
Actor
Theatre credits include: Grenfell: Value Engineering: Scenes From The Grenfell Inquiry (Tabernacle Theatre/Birmingham Rep); To Kill A Mockingbird (Regent’s Park); Dial M For Murder (UK Tour); Sweet Bird Of Youth (Old Vic); The Winter’s Tale (Royal Shakespeare Company); The King’s Speech (Wyndham’s Theatre); Bedroom Farce (Rose Theatre Kingston); Miss Julie (Duke Of York’s Theatre) and Much Ado About Nothing (Sheffield Crucible).
Screen credits include: Alien: Romulus (20th Century Fox); Truth & Treason (Kaleidoscope Pictures); De Gaulle (Pathé); September 5th (Constantin Films); The Girl From Cologne (One Two Films); Here (Sony); War Machine (Netflix/Plan B); Allied (Paramount); Fury (Columbia); The Good Liar (Warner Bros); Mobland (Paramount+); Prisoner (Sky); Death By Lightning (Netflix); After The Flood (ITV); The New Look (Apple TV); Winx: The Fate Saga (Netflix); Chloe, Gentleman Jack (BBC); The Girlfriend Experience (Starz); Sex Education (Netflix); Temple (Sky); A Confession (ITV); Against The Law (HBO/BBC); The Crown (Netflix) and Mr Selfridge (ITV).
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Ian Bonar
Actor
Ian Bonar
Actor
Ian will soon appear in the second series of Guy Ritchie’s The Gentlemen (Netflix). He most recently featured in Shannon Murphy’s Dope Girls (BBC) and Criminal Record (Apple TV+) alongside Peter Capaldi and Cush Jumbo.
Other recent television credits include The Interview (BBC) directed by Joe Ahearne and critically acclaimed I May Destroy You (BBC) alongside Michaela Cole. Further credits include Damilola: Our Loved Boy (BBC), New Blood (Eleventh Hour Films); Black Mirror, Southcliffe (Netflix); Holy Flying Circus (Hillbilly Television); Going Postal (All3Media International) and Scott and Bailey (Red Production Company).
Ian’s film credits include Skyfall (MGM, Columbia Pictures); Spectre (Columbia Pictures); Kon-Tiki (RPC); Starter for Ten (BBC); 1234 (Carson Films) and Atonement (BBC).
Theatre credits include: Retrograde (Kiln Theatre); Death of a Salesman (Young Vic); Jellyfish (Bush Theatre); Be Prepared (writer/performer, Underbelly/VAULT Festival); Arden of Faversham, The Witch of Edmonton, The Roaring Girl (Royal Shakespeare Company); The Blackest Black (Hampstead Theatre); Brilliant Adventures (Manchester Royal Exchange); Me, as a Penguin (Arcola); DNA, The Miracle (National Theatre) and Ma Vie en Rose (Young Vic).
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Clare Holman
Actor
Clare Holman
Actor
Clare most recently wrapped The Last Disturbance of Madeline Hynde directed by Kenneth Branagh and can currently be seen in King and Conqueror for the BBC opposite James Norton and Nikolaj Coster-Waldau as well as in features Killer Heat with Joseph Gordon- Levitt, Shailene Woodley and Richard Madden and Cold Storage opposite Liam Neeson. Prior to this she was in BAFTA nominated series Sherwood (BBC) as well as feature film Censor (Film4) and Cursed on Netflix.
Clare is best known for playing forensic pathologist Dr. Laura Hobson in Inspector Morse and its spin-off Lewis. Since the series ended she has continued a fantastic screen trajectory with: Rellik (BBC One); The Crown (Netflix); The A Word (BBC); The Little Drummer Girl (AMC/BBC); Motherfatherson (BBC) and Midsomer Murders (ITV).
Film credits include: Blood Diamond (Warner Bros.); Suite Francaise (Alliance Films) and Waiting For You (Zephyr Films).
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David Michaels
Actor
David Michaels
Actor
Theatre credits include: F***ing Men (Waterloo East); Grenfell: System Failure, Grenfell: Value Engineering, (Marylebone Theatre); Curious Incident of the Dog in the Night-Time (National Theatre, International Tour); Dishonoured (Arcola Theatre); Ticking (Trafalgar Studios); Rough Justice (UK Tour); A Doll’s House (Coventry Belgrade); Herding Cats (Hampstead Theatre); Death and the Maiden, The Constant Wife (Salisbury Playhouse); The 39 Steps (UK Tour); Betrayal (Sir Peter Hall Co.); Three Sisters (Birmingham Repertory Theatre); Question Time (Arcola Theatre); A Midsummer Night’s Dream, The Winter’s Tale (Regents Park Theatre); Fuente Ovejuna (National Theatre); A View from The Bridge (Aldwych Theatre); Mumbo Jumbo (Royal Exchange); A Taste of Honey, An Enemy of the People (Nottingham Playhouse) and Hutton Enquiry, Baha Mousa Enquiry, Called to Account and The War Next Door (Tricycle Theatre).
Screen credits include: Pierre (Channel 4); Suspect (Disney); Treadstone (Amazon); Coronation Street, Heartbeat, Inspector Morse, A Confession, Donovan, Poirot (ITV); As Time Goes By, Baptiste, Waterloo Road, Spooks, Bambino Mio (BBC) and Family Affairs (Channel 5).
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Clara Read
Actor
Clara Read
Actor
Clara has been working in London Theatres for over a decade. From shows at The Almeida Theatre to Matilda the Musical in the West End with The Royal Shakespeare Company. She has also performed at venues such as the Royal Albert Hall, including The BBC Proms. She was nominated for Best Child Actor at The Stage Debut awards for her performance in The Wild Duck (Almeida Theatre), directed by Robert Icke.
Clara has also been screen acting for over a decade with notable features including: What Happened to Monday (Netflix); The Power (BFI) and Shelter (Black Bear Productions).
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Jade Williams
Actor
Jade Williams
Actor
Theatre credits include: Selecting a Ghost (Two Lines); Everywoman (Bunker); Love’s Labour’s Lost, Doctor Faustus, God of Soho, Henry IV, Bedlam, As You Like It, A New World (Shakespeare’s Globe); The Moderate Soprano (Duke of York’s Theatre); The Cherry Orchard, The Lower Depths, Sons Without Fathers, Palace of the End (Arcola Theatre); The Seagull, Platonov (National Theatre); The Father (Duke of York’s Theatre, Tricycle and Bath); In Basildon (Royal Court); Chatroom/Citizenship, Market Boy (National Theatre); Hedda Gabler (Lyceum Theatre); The Girls Guide to Saving the World (Hightide); Moon Tiger (Theatre Royal, Bath) and Piranha Heights, Shraddha (Soho Theatre).
Screen credits include: EastEnders, Holby City, Judge John Deed, Canterbury Tales (BBC); DCI Banks, William and Mary (ITV); Bad Girls (Shed Productions) and Anne Frank (ABC/Disney).
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Mariia Petrovska
Actor Musician
Mariia Petrovska
Actor Musician
Mariia Petrovska is a charismatic bandura player, singer, and rising star of Ukrainian music, known for blending her virtuoso technique with a pure, emotive voice. A multi-award-winning musician, she moved to the UK after the Russian invasion and graduated from BIMM Manchester with first-class honours in Popular Music Performance and Songwriting. She uses her music as a voice for Ukraine, performing with the Cultural Forces and leading the volunteer initiative People’s Territory of Happiness. Her notable appearances include the Eurovision Village stage (2023), London’s Finborough Theatre (2024), and several acclaimed solo concerts across the UK in 2025.
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Nicolas Kent
Director
Nicolas Kent
Director
Nicolas Kent’s career started at the Liverpool Playhouse (1967), later he became the Director of the Watermill Theatre, Associate Director at the Traverse in Edinburgh and Oxford Playhouse Company. From 1984–2012 he led London’s Tricycle Theatre, creating the “Tricycle Tribunal” political plays, several televised and performed in Parliament and for Congress in Washington. His credits include The Great Game – Afghanistan (Olivier Nomination), Bloody Sunday (Olivier Award) and Grenfell: Value Engineering for Channel 4 TV and also Grenfell: System Failure. He has directed at the National Theatre, the RSC, The Royal Court and in the West End: Guantanamo & the musical: Ain’t Misbehavin: as well as plays at the Public Theater in New York and for BBC TV & Radio 4.
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David Edgar
Writer (Five Day War)
David Edgar
Writer (Five Day War)
David Edgar’s original plays for the Royal Shakespeare Company include Destiny (1976), Maydays (1983, Plays and Players best play award), Pentecost (1994, Evening Standard best play award) and The New Real (2024) His work for the National Theatre include The Shape of the Table (1990), Albert Speer (2000) and Playing with Fire (2005). His adaptations include a multi-award-winning version of Dickens’ Nicholas Nickleby (RSC, 1980-1) and A Christmas Carol (2017). In 2018 he wrote and presented a touring solo show, Trying it On. In 1989 he founded Britain’s first graduate playwriting course, at the University of Birmingham. His book about playwriting, How Plays Work, was published by Nick Hern Books in 2009.
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Cat Goscovitch
Writer (Taken)
Cat Goscovitch
Writer (Taken)
Cat Goscovitch is the writer of the independent feature film The Turtle and the Sea (2016), which won Best Local Picture at the Birmingham Film Festival and is available on Amazon Prime. She also wrote the play A Russian Doll (2021), directed by Nicolas Kent, which premiered at The Barn. She is currently writing Giant, a TV series inspired by her experience in the music industry when she was signed to Sony as a singer.
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David Greig
Writer (Wretched Things)
David Greig
Writer (Wretched Things)
David Greig is an award-winning Scottish playwright and director whose work has been staged at major theatres across Britain and produced worldwide. He recently stepped down as Artistic Director of the Royal Lyceum Theatre Edinburgh after eight years, during which he championed bold new work and international collaborations. David’s acclaimed plays include The Events, The Strange Undoing of Prudencia Hart, Midsummer, Dunsinane, and Outlying Islands. Recent work includes Two Sisters and adaptations of Solaris, Local Hero, and Touching the Void. He wrote the book for Charlie and the Chocolate Factory and is currently developing One Day, a new musical based on David Nicholls’ novel.
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Jonathan Myerson
Writer (Always)
Jonathan Myerson
Writer (Always)
Jonathan writes novels, film, stage, TV, radio and animation. He was nominated for an Oscar and went on to win a BAFTA, four Emmys and many other awards worldwide for his animated adaptation of The Canterbury Tales. His first stage play was commissioned by the Oxford Playhouse Company, Making a Difference and he has since written stage plays for the fringe, rep and the National Theatre, Diary of a Nobody. Amongst his 50 plus radio plays, he’s written two about the Ukraine war, 4am Kyiv is Bombed and an adaptation of Andrew Harding’s book A Small Stubborn Town.
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Natalka Vorozbhit
Writer (Three Mates)
Natalka Vorozbhit
Writer (Three Mates)
Natal’ya Vorozhbit is a Ukrainian playwright and a leader in the resurgence of Ukrainian national drama in the 21st century. Her first major play, Galka Motalko, had success shortly after she graduated from the Gorky Literature Institute (Moscow) in 2000. The Grain Store, a historical work about the Holodomor, the state-induced famine in Ukraine in the 1930s, was produced by the Royal Shakespeare Company in London in 2009. Vorozhbit took part in the Euromaidan protests in Kyiv in 2013 and 2014 and the theme of the ensuing war with Russia has coloured her work since. In 2015 she co-founded the Theater of Displaced People with Georg Genoux, offering an opportunity for refugees from the Donbas region to tell their stories in a formal, theatrical context. Her plays include Bad Roads (2017) which was staged at the Royal Court Theatre, and, as a film directed by the author, was Ukraine’s official Oscar selection in 2022. She also wrote the screenplay for Cyborgs (2017), a film about the defence of an airport in Donetsk where Ukrainian soldiers fought separatists for 242 days. Vorozhbyt writes in Ukrainian and Russian. Take The Rubbish Out, Sasha, received its UK premiere as part of A Play, A Pie and A Pint: International Plays from Ukraine and Russia, curated by Nicola McCartney, in association with National Theatre of Scotland and the University of Edinburgh at Òran Mór, Glasgow, and the Traverse Theatre, Edinburgh, in 2015.
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Sasha Dugdale
Translator
Sasha Dugdale
Translator
Sasha Dugdale is a poet and translator. Her sixth book of poetry, The Strongbox, was published by Carcanet in 2024 and won the Anglo-Hellenic League Runciman Award. Deformations (2020) was shortlisted for the T. S. Eliot and Derek Walcott Prizes. Her long poem Joy won a Forward Prize in 2016. Her translation of Maria Stepanova’s novel In Memory of Memory won the MLA’s Lois Roth Award in 2023. Other translations have won PEN Awards and been shortlisted for the International Booker, the James Tait Black and the Warwick. Her play translations have been produced at the Royal Court, the RSC and New York’s Public Theater.
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Victoria Gartner
Associate Director
Victoria Gartner
Associate Director
Victoria Gartner is a Ukrainian-Swiss award-winning director and writer whose work has been produced in the UK, Germany, Switzerland, and the Netherlands. She is the Artistic Director of Will & Co. Previous credits as Associate Director include Murder on the Orient Express (Fiery Angel, The Lowry), And Then There Were None (Fiery Angel, Royal & Derngate). Previous credits as Director include Romeo and Juliet (British Youth Music Theatre, Theatre Royal Plymouth), Bard in the Yard (Will & Co, UK tour), Anne (Read for the Globe; Pleasance), Will or Eight Lost Years of William Shakespeare’s Life (Rose Playhouse, European tour).
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Michael Taylor
Set & Costume Designer
Michael Taylor
Set & Costume Designer
Michael Taylor trained at RADA. Previous theatre credits include The Sound of Music, My Fair Lady, Billy Elliot, West Side Story, White Christmas, What The Butler Saw (Leicester Curve); Wicked (São Paulo); Playboy Of The West Indies (Birmingham Rep); The Children (Salisbury Playhouse); The Dresser (Duke Of York’s); The Ladykillers (Gielgud; Olivier Award Nomination For Best Designer); Lawrence After Arabia, The Awakening, My Boy Jack (Hampstead); A Christmas Carol (Northampton Royal Theatre); In Extremis, Anne Boleyn, Blue Stockings, All’s Well That Ends Well (Shakespeare’s Globe); The Attractions, Holy Days (Soho Poly); Mountain Language (Lyttelton); Amphibians (RSC); The Fatherland (Riverside Studios).
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Matt Eagland
Lighting Designer
Matt Eagland
Lighting Designer
Matthew trained at the Guildhall School of Music and Drama, and was head of the lighting department at Guildford, then subsequently Cambridge Arts Theatre. He has designed the lighting for many productions throughout the UK and around the world, including recently: REBUS: A game called Malice (UK Tour), I’m not as well as I though I was (Ruby Wax tour), The Children (Salisbury Playhouse), An Hour and a Half Late (Theatre Royal Bath), Playboy of the West Indies (Birmingham Rep), Grenfell: System Failure (Playground Theatre) and Grenfell: Value Engineering (The Tabernacle, Notting Hill, Birmingham Rep and Channel 4). He regularly designs the lighting for various corporate events around the world.
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Joe Dines
Sound & Video Designer
Joe Dines
Sound & Video Designer
Joe is a Sound Designer and Composer and trained at Royal Central School of Speech and Drama, Best Sound Design at Greenwich Film Festival for Our Charlie and Offie nomination for Best Co-Sound Design of Surfacing.
He has designed in Europe and in New York, notably: Ivanov (Schauspiel, Stuttgart); Gwenda’s Garage (Southwark Playhouse); Treasure Island, Trois (Barn); With Courage (Other Palace); Rumble in The Jungle [immersive] (Dock X); Five Shorts (Young Vic); Climate Cabaret (NYT); Tom Fool (Orange Tree.
As associate: Streetcar Named Desire (West End + NYC); Grapes of Wrath (National); KEIN WELTUNTERGANG, Michael Kohlhaas (Schaubühne, Berlin); Kan Yama Kan (Riyadh, Saudi); All about Eve (Nöel Coward); Best of Enemies (Young Vic).
As composer: The Maids (Jermyn St); Snow Queen, Christmas Carol (Reading Rep). Film: For the Moment; May Day; Dog and the Sailor.
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Mariia Petrovska
Music
Mariia Petrovska
Music
Mariia Petrovska is a charismatic bandura player, singer, and rising star of Ukrainian music, known for blending her virtuoso technique with a pure, emotive voice. A multi-award-winning musician, she moved to the UK after the Russian invasion and graduated from BIMM Manchester with first-class honours in Popular Music Performance and Songwriting. She uses her music as a voice for Ukraine, performing with the Cultural Forces and leading the volunteer initiative People’s Territory of Happiness. Her notable appearances include the Eurovision Village stage (2023), London’s Finborough Theatre (2024), and several acclaimed solo concerts across the UK in 2025.
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Nadine Rennie CDG
Casting Director
Nadine Rennie CDG
Casting Director
Nadine is Co-Chair of the Casting Directors Guild & Creative Associate at Synergy Theatre Project. Prior to going Freelance, Nadine was in-house Casting Director at Soho Theatre for over fifteen years. 2025 projects have included Philip Ridley’s The Pitchfork Disney ; ELMET (Javaad Alipoor Company ); The Meat Kings! (Inc) of Brooklyn Heights (Papatango/Park Theatre); LIFERS (Synergy Theatre at Southwark) and Scenes From The Climate Era (Gate Theatre).
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Joe Prentice
Production Manager
Joe Prentice
Production Manager
Joe is a Production Manager whose credits include: Posh (Criterion Theatre & UK tour), Radiant Boy, Who is Claude Cahun?, Mona Loser, Brixton Calling, The Chaos That Has And Will No Doubt Return, The Soon Life and Drifting (Southwark Playhouse), The Secret Lives of Baba Segi’s Wives, 54.60 Africa and Crocodile Fever (Arcola) and Masterpieces and Just to Get Married (Finborough Theatre). He returns to production management after a time as Head of Stage in the West End, overseeing the stagecraft of various plays and musicals.
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John Farndon
Story support for Mariia Petrovska
John Farndon
Story support for Mariia Petrovska
John Farndon is best-selling author of c.2000 non-fiction books, shortlisted five times for Young People’s Science Book Prize, and also a playwright, songwriter, poet and award-winning translator of literary works from many languages. Since 2022, he’s translated from Ukrainian many poems and c.40 plays including Nejdana’s Pussycat in Memory of Darkness (Offies Finalist Best New Play) and Goncharova’s The Trumpeter, staged at London’s Finborough and on tour. He is joint winner of the 2024 Ukrainian Literature in Translation prize for translating Falling by the late Maksym Kryvstov; joint winner 2019 EBRD Literature prize for Ismailov’s Devil’s Dance; 2020 Finalist US Pen Translation award for Seisenbaev’s Dead Wander in the Desert.
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Maryna Kursik
Assistant Director
Maryna Kursik
Assistant Director
Maryna Kursik is a 21-year-old director and actor currently studying on the MA Directing programme at EAST 15 Acting School. Born and raised in Ukraine, she discovered her passion for acting at the age of six and began performing early, hosting television shows for children and teenagers and working with a Theatre Youth Group. In 2022, she moved to Austria, where she completed a two-year professional acting course at VETA, graduating with distinction in 2024. There, she performed in multiple productions, including Nell Gwynn as Lord Arlington, and continued developing her directing practice alongside her performance training.
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Naomi Shanson
Stage Manager (on Book)
Naomi Shanson
Stage Manager (on Book)
Naomi is a London-based freelance Stage Manager. Most recent credits include WEER (Cherry Lane Theatre—Off Broadway, Soho Theatre—Walthamstow), 54.60 Africa (Arcola Theatre), and The LeftBehinds (National Theatre Schools Tour). Naomi studied Stage Management at the Royal Welsh College of Music and Drama.
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Ryan Denton
Assistant Stage Manager
Ryan Denton
Assistant Stage Manager
Ryan is a stage manager and creative with experience across a range of theatrical roles, dedicated to delivering impactful live experiences and productions. Alongside his stage management work, Ryan is the proud co-founder of Ordinary Stories Theatre CIC, a theatre company committed to providing creative opportunities in rural communities across the UK.
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Alexa Moore
Costume Supervisor
Alexa Moore
Costume Supervisor
Alexa Moore is a Canadian-born, UK-based Costume Supervisor and practitioner, whose work combines political anthropology, performance, and material culture. She/they holds a BA in Costume for Performance and a Master’s degree in Performance & Culture (Distinction), exploring how clothing embodies identity, cultural memory, and sociopolitical power and protest. Alexa has supervised and assisted productions at leading UK theatres, including The National Theatre, English National Opera, The Grange Festival, The Bridge Theatre, and Grange Park Opera, as well as internationally in Germany, Switzerland, and Italy. Their research-driven approach combines historical and cultural knowledge with technical expertise, ensuring each costume is ethically informed, narratively rich, and integral to storytelling on stage.
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Rebecca Ward
Honorary Assistant to the Designer
Rebecca Ward
Honorary Assistant to the Designer
Rebecca Ward is a costume and set designer who designed Flywheel Repertory Company’s six shows in six weeks, including Lysistrata and The Lodger (Old Red Lion Theatre), Crossing the Line (St George’s Theatre, Norfolk), and Concrete (Old Red Lion, Hope Theatre), as well as costume and production design for short films including the upcoming The Last Man. She has a Masters (Dist) in Costume Design from UAL. Prior to designing for theatre and film, Rebecca worked for 30 years as a PR consultant for organisations including Tate, V&A and the Venice Art Biennale.
Book your tickets
Event Instance Listings
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Thu 26 Feb
7.30pm
Preview
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Fri 27 Feb
7.30pm
Preview
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Sat 28 Feb
2.30pm
Preview
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Sat 28 Feb
7.30pm
Preview
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Mon 2 Mar
7pm
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Tue 3 Mar
7.30pm
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Wed 4 Mar
7.30pm
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Thu 5 Mar
7.30pm
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Fri 6 Mar
7.30pm
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Sat 7 Mar
2.30pm
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Sat 7 Mar
7.30pm
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Mon 9 Mar
7.30pm
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Tue 10 Mar
7.30pm
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Wed 11 Mar
7.30pm
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Captioned performance
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Thu 12 Mar
7.30pm
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Fri 13 Mar
7.30pm
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Sat 14 Mar
2.30pm
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Sat 14 Mar
7.30pm
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Mon 16 Mar
7.30pm
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Tue 17 Mar
7.30pm
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Wed 18 Mar
7.30pm
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Thu 19 Mar
2.30pm
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Thu 19 Mar
7.30pm
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Fri 20 Mar
7.30pm
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Sat 21 Mar
2.30pm
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Sat 21 Mar
7.30pm
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Mon 23 Mar
7.30pm
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Tue 24 Mar
7.30pm
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Wed 25 Mar
7.30pm
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Thu 26 Mar
2.30pm
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Thu 26 Mar
7.30pm
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Fri 27 Mar
7.30pm
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Sat 28 Mar
2.30pm
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Sat 28 Mar
7.30pm
This production is supported by
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The John S. Cohen Foundation
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Developing Artists
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Bruce and Emily Fletcher
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Anonymous